Showing posts with label requests. Show all posts
Showing posts with label requests. Show all posts

Wednesday, March 2, 2011

evolution of a query, part II

yesterday, i posted a "before and after" of my first-ever query letter. (that is, before revisions and after revisions.)
the idea is to use queries as a small-scale example of why revising is so important. this importance is only magnified when applied to a full-length piece of work!

today, i'm going to show you the different stages my query for BUTTER went through before i actually sent it off to agents.

this is draft 1:
Six summers at fat camp, 423 pounds on the scale and one dangerous defining moment.

A boy everyone calls “Butter” is about to make Scottsdale High history. He’s going to eat himself to death live on the internet – and everyone is going to watch!

My 51,000-word young adult novel “Butter” explores what happens when you get so big people can’t see around you and start looking right through you. It’s about just how far some teenagers will go to get noticed, to feel in control, to be somebody.

Butter is fed up with a dad who won’t talk to him, a girl who won’t look at him and a whole school full of kids who don’t even know his real name. If it weren’t for mom’s waffles and his saxophone, he wouldn’t get out of bed in the morning.
When the syrup comes off the waffles and the obesity makes it hard to play the sax, Butter decides to stop waking up altogether.

He announces his deadly plan to an army of peers and expects pity, insults or even indifference. Instead, he finds morbid encouragement.
When that encouragement tips the scales into popularity, Butter has a reason to live.
But if he doesn’t go through with his plan, he’ll lose everything.

As a journalist, I write facts all day, every day. This is my first work of fiction.

I would love to send a partial or full manuscript of “Butter” for your consideration.
just like yesterday's query, it's a little long. or at least, i thought it was only a "little" long. when i posted the first draft on Absolute Write for feedback, i learned it was a LOT long.
the good folks at AW also let me know they'd rather see a character introduced in the opening line.
so i revised and came back with this second draft:
A boy everyone calls “Butter” is about to make Scottsdale High history. He’s going to eat himself to death live on the Internet – and everyone is going to watch.

Butter is fed up with a dad who won’t talk to him, a girl who won’t look at him and a school full of kids who don’t even know his real name. If it weren’t for mom’s waffles and his saxophone, he wouldn’t get out of bed in the morning.
But mom starts taking the syrup off the waffles and obesity makes it increasingly harder for him to play the sax, so Butter decides to stop waking up altogether.

He announces his deadly plan to an army of peers and expects pity, insults or even indifference. Instead, he finds morbid encouragement.
When that encouragement tips the scales into popularity, Butter has a reason to live.
But if he doesn’t go through with his plan, he’ll lose everything.

My young adult novel BUTTER is 51,000 words about a 423-pound boy, six summers at fat camp and one dangerous defining moment. It explores what happens when Butter gets so big people can’t see around him and start looking right through him.

As a journalist, I write facts all day, every day. This is my first work of fiction.

I would love to send a partial or full manuscript of BUTTER for your consideration.

still too long, and you can see i merely moved my first line down, instead of deleting it. i think this is happens a lot with first revisions on novels too. writers can have a hard time letting go of the words they've created. they're not ready for the delete button.

so i was encouraged to "murder my darlings" (delete my favorite bits) and reminded that if the book sells, i can use those favorite lines later for promotion, etc...

so i offered this third draft:
A boy everyone calls “Butter” is about to make Scottsdale High history. He’s going to eat himself to death live on the Internet – and everyone will watch.

Butter is fed up with a dad who won’t talk to him, a girl who won’t look at him and a school full of kids who don’t even know his real name. If it weren’t for mom’s waffles and his saxophone, he wouldn’t get out of bed in the morning.

He announces his deadly plan to an army of peers and expects pity, insults or even indifference. Instead, he finds morbid encouragement.
When that encouragement tips the scales into popularity, Butter has a reason to live.
But if he doesn’t go through with his plan, he’ll lose everything.

My young adult novel BUTTER is 51,000 words about a 423-pound boy and one dangerous defining moment.

As a journalist, I write facts all day, every day. This is my first work of fiction.
I would love to send a partial or full manuscript of BUTTER for your consideration.
you can see it's finally getting shorter!
this time, the squirrels (as the query critters are affectionately called on AW) told me i had too many details that weren't essential to the nut of the story. -get it? nut? squirrels?- anyway... they suggested a few more cuts, and now that i'd exercised my "delete" finger, it wasn't hard to keep chopping.

so i ended up with this final draft:
A boy everyone calls “Butter” is about to make Scottsdale High history. He’s going to eat himself to death live on the Internet – and everyone will watch.

He announces his deadly plan to an army of peers and expects pity, insults or even indifference. Instead, he finds morbid encouragement. When that encouragement tips the scales into popularity, Butter has a reason to live. But if he doesn’t go through with his plan, he’ll lose everything.

My young adult novel BUTTER is 51,000 words about a 423-pound boy and one dangerous defining moment.

As a journalist, I write facts all day, every day. This is my first work of fiction.

I would love to send a partial or full manuscript of BUTTER for your consideration.

and that is the letter that got four manuscript requests from my first round of agent queries.
for all i know, that request rate would have been zero without revisions.

so whenever i get frustrated with book revisions, i look back on the evolution of my queries to remind myself that revising - while hard work - always pays off.

Saturday, May 22, 2010

impossible endings

gah! writing challenge fail AND blog fail!

missed yesterday's post because, simply, it was friday, and i had fun stuff to do. :)
i also wrote only a couple hundred words yesterday, which means i have my work cut out for me today and tomorrow.

my 'drop-dead'line for sending this polished puppy to Agent Almost is the 27th. that will be two months to the day that i got my revision letter. that seems like a reasonable amount of time, and the journalist in me just HAS to work on a deadline, or i'd never get anything done.

NOW, on to the REAL POINT OF THIS POST: ENDINGS

working on my own ending has me thinking about just how difficult it is to satisfy an audience, especially if they've been fans up to the end.

tomorrow, LOST comes to an end, and i have already resigned myself to the fact that i will most likely be disappointed. no matter how genius their story, how cleanly they wrap it up, there is nothing they can do to make me go "wow" at this point.

and here's why:
the best part was the mystery.
the guessing game, the trading theories with other fans, the anticipation, the "aha!" moments that only led to bigger mysteries. the appeal was in the not-knowing.

my book (without giving too much away, and with all modesty and humility) is very much a "will-he-won't-he-and-how" page-turner. once i get to the end and answer those questions, i feel anything i say beyond that will only be disappointing, because the anticipation is over, and that was the fun part.

i like to think of this as Harry Potter Syndrome. there was so much hype and anticipation over the epilogue, it almost didn't matter how JK Rowling ended the actual story. everyone was just dying to know what happened after that. and, inevitably, most folks were disappointed. they wanted to know why their favorite character was left out of the ep.. or just exactly what ron and harry had done to revolutionize the auror system, etc... basically, we wanted an encyclopedia, not an epilogue. (and bless JK, she's giving us one.) but the point is - there is nothing she could have written that would have made all the millions of potter fans say: "ahhh. perfect."

the manuscript i sent to the 4 agents who requested fulls had the wrong ending - the easy ending.
i punted.
as a result, i got one outright 'no' - two 'revise and resubs' that both mentioned the ending - and one Agent Almost, who also nixed the ending but gave me a chance to fix it.

that just puts a girl under more than a little pressure to make it "ahhh perfect."

Friday, April 23, 2010

read my rejections... and requests

i thought it might be fun for folks who haven't quite made it to the query stage to see a sample of responses from agents... and those of you who have been through query hell can chuckle along when some of these letters look familiar. ;)

here is every single response i got to my 11 queries, both requests and rejections.
(the names of all agents and agencies have been omitted to protect the innocent).

first, these are what we call "form rejections" - or the emails agents copy and paste in response to authors when they're not interested in seeing the manuscript.
they have to do this, guys, otherwise they'd do nothing all day but write personal emails to people they are not going to represent. And that just doesn't make sense. They are working for a living you know.
writers spend hours, days even, agonizing over the meaning behind these rejections, but let me tell you - they all pretty much say the same thing:

"I'm just not that into you."


*****
Thank you for your query. I'm afraid that your book isn't right for me at this time and I'm going to pass. Please keep in mind, however, that the publishing business is a subjective one and this is only one agent's opinion. There may very well be another agent out there for whom your work would be a better fit.
Due to the sheer volume of queries I receive, I regret that I am unable to give a personalized reply or any additional feedback on your query.
All the best,
*****
Dear Erin:
Thanks so much for considering us. Although this sounds quite interesting, it is not what we are looking for at this very time.
Thanks so much for giving us the opportunity and good luck in your quest for publication.
Best,
*****
Dear Author:
Thank you so much for sending the (XXX) Agency your query. We’d like to apologize for the impersonal nature of this standard rejection letter. Rest assured that we do read every query letter carefully and, unfortunately, this project is not right for us. Because this business is so subjective and opinions vary widely, we recommend that you pursue other agents. After all, it just takes one "yes" to find the right match.
Good luck with all your publishing endeavors.
*****
Thank you very much for thinking of me and (XXX) Management for representation. Due to the large volume of submissions that I receive, it is impossible for me to answer every query individually, however I assure you that your material was carefully evaluated. After consideration, I regret to say that your project is not right for my list at this time. As you know, this is a subjective business and another reader may feel differently. To that end I wish you the best in finding enthusiastic representation.
Best,
*****
Dear Erin,
Thank you for your query. (XXX) asked me to reply after he evaluated your submission.
We’re afraid your project does not seem right for our list, but thank you for thinking of (XXX), and best of luck in your search for representation.
Sincerely,
*****
Thanks for your query.
As to your material I'm afraid I must pass -- I'm just not enthusiastic enough about the premise of your story to feel that I'd be the right agent for the project. Our agency represents a very full list of fiction writers and we must be highly selective in adding to it. I realize it is difficult to judge your potential from a query; nevertheless please know that I give serious attention to every letter, outline, and writing sample I receive.
Sorry I couldn't give you a more positive reply. Thanks for thinking of me, though, and best of luck in your search for representation.
Sincerely,
*****
This is an example of a semi-personal rejection:
Dear Erin,
Thank you for your recent e-mail and for your help with the contest, I appreciate it. I regret to say that I don’t feel that I’m the most appropriate agent for your work.
However, opinions vary considerably in this business, and I wish you the best of luck in your search for representation.
Best wishes,
*****
And these are (WooHoo!) - REQUESTS!
Dear Erin,
Thank you for querying me. I'm interested in your idea and would like to request the full manuscript. You can email it to me as a Word attachment (.doc or .rtf file) or you can mail it to me at the address below.
(followed by extensive submission guidelines)
*****
Dear Erin,
Thank you for your email. Your novel sounds interesting and we would like to read the manuscript; you're welcome to send it as a Microsoft Word or Adobe PDF attachment. We'd prefer to consider your novel on an exclusive basis for two weeks, if at all possible.
We look forward to reading your work.
All best,
*****
Hi Erin,
Please send me the full! As a word or rtf attachment is fine -- but please not a "docx"
Thanks!
*****
Hi Erin-- Happy to read, please do send by email,


I especially like that last email. Short, sweet, and my first ever full manuscript request! :)